Ah, that time of year again, when a semi-portly Hopper
reclines with a glass of port and relaxes and reflects on the past
twelvenmonthe. The highs! The lows! The smashes and the, er, trashes. An
overall review of what made life worth living in the Hopperverse.
So, dim the lights, crank the Dolby stereo, open the
curtains and obey the APPLAUSE signs –
It’s the 2019 Best-Ofs!!!!
… without further ado …
Best fiction, re-read: Weaveworld (1987) by Clive Barker
Best fiction, first-time read: The Bridges at Toko-Ri (1953) by James A. Michener
Best nonfiction: Lincoln
and His Generals (1952) by T. Harry Williams
Best Short Story: “The Mouse” (1969) by Howard Fast (I dare you to read this and not weep...)
Best TV: Still gotta be The Office. Chronologically binge-watching the seasons with the
girls, currently up to mid-season 6.
Most Disappointing TV: The reboot of In Search Of with Zachary Quinto
attempting to replace the irreplaceable Leonard Nimoy in yet another genre.
That and the bad editing and silly writing doomed this new version.
Best movie: Joker
Runner-up: Crawl
Worst movie: Godzilla,
King of the Monsters
Runner-up: Zombie Tidal Wave
Best song: “Long, Long, Long” by the Beatles (a
Harrison tune)
Runners-Up:
Just about any Lennon song off the White
Album or Revolver
Phases:
Beatles
Under the Dome and 24 marathons with the girls
George
Armstrong Custer research
VSI – Very
Short Introduction – books
The Spraining of the Ankle, November 9
Bundesliga
soccer
Re-reads (The Eye of the World, Weaveworld, False Dawn, The Face of the
Waters)
Best phase: Becoming a Beatles archaeologist
Runner-up: Under the Dome, for the bellylaughs with
the little ones.
Least fun phase: The sprained ankle, or that time I
slipped on a baby pumpkin and thought I shattered my ankle and that’d need to
be amputated and it painfully swelled up and turned all shades of purple gold
and green while I hobbled about on crutches while my girls said I was “milking
it.”
Funnest Day: (tie) Leisurely strolling round Cape May
all day with the Mrs. April 26; biking all over Hilton Head Island with the
little ones August 8.
Best Decision: To take off Tax Season ’20. Now I get
my nights and weekends back.
Worst Mistake: Choosing, through inaction, to remain a
wage slave.
Biggest Life Change: Listening to multiple
podcasts/video shows on a daily basis – Ann Barnhart, Red Letter Media, Dr.
Taylor Marshall, Steven Crowder, Jocko Willink, Critical Drinker, Uberboyo and
Jimmy Boyo. Can I get them in the car so I don’t have to listen to Talk Radio? Also,
I was upgraded at work to an office with a window back in April. Nice.
Best Experience I Thought I’d Hate but Didn’t: That
wedding in September, dammit! Don’t comment to say “I told ya so” or invite me
to another wedding!
Proudest Moment: Watching and listening to high-school
aged Little One perform in her concert band back in May and again just last
week. It’s phenomenal how great this band now sounds, and next year she’ll be
First Chair Clarinet! Plus they did a Sergeant Pepper medley that I absolutely
loved. If she only played as much as I strum my guitar she’d be a shoe-in for
the Philharmonic in half a decade.
All right … here’s to 2020, just around the corner!
Ah, Santa must’ve known Hopper was thinking about a
Tolkien Silmarillion – Hobbit – Lord of
the Rings reread. After all, it’s been four years, and I’ve been restless
in my readings of late. That’s why, out of all the clothes that were
desperately needed and deeply appreciated, this was my favorite Christmas gift:
Thank you ladies!
The girls made out as well, as did the Mrs. and the
even the dog. We’ve had our ups and downs over the past twelve months, but we’re
grateful to have each other and to be where we are at this point in time.
The Beatles were Hopper’s longest running continuous phase
of 2019. Way, way back in January, almost at random, wanting to get away from tomes
on war, religion, and science, I picked up a hefty Beatles biography and read
it all the way through in six weeks. I somewhat surprisingly enjoyed it. This
led to further reading of a half-dozen more books on the band. Over the summer
and fall I must have spent a hundred hours listening to all their albums in
depth from Rubber Soul to Let It Be. (Not a big fan of early
Beatlemania Beatles, but I did listen to a lot of stuff off Anthology 1, primarily to check out
original drummer Pete Best.)
Anyway, I discovered a handful of really, really good
tunes. Not so much of a shock there, but I reveled the delight, as I always do,
of a new artistic experience. Like you, I’m probably aware of 20, 25 songs that
are played fairly regularly via classic rock stations and popular media such as
TV and movies. But the following are some songs I heard for the first time in
2019 that I truly enjoyed:
I’m Only Sleeping (Lennon)
And Your Bird Can Sing (Lennon)
For No One (McCartney)
Doctor Robert (Lennon)
Tomorrow Never Knows (Lennon)
Flying (instrumental; credited to all four Beatles)
I’m So Tired (Lennon)
Piggies (Harrison)
Julia (Lennon)
Yer Blues (Lennon)
Everybody’s Got Something To Hide Except Me and My
Monkey (Lennon)
Sexy Sadie (Lennon)
Long, Long, Long (Harrison)
Savoy Truffle (Harrison)
Cry Baby Cry (Lennon)
Some of those Lennon songs are phenomenal, sonic
sculptures of perfection of two or three minutes length. And George Harrison’s ethereal
and sublime “Long, Long, Long” still sends goosebumps up and down my arms six
months after I first heard it. It’s perhaps the best of those new tunes I got
exposed to over the summer.
I recommend them all, but I guess overall I like the
stuff off The Beatles, a.k.a., the
“White Album”, the best.
All in all, a great musical year for me, great
especially since I haven’t really been able to get into anything new
classical-wise or jazz-wise. Which has me now thinking of what other supergroups
I’ve been unconsciously hearing over the years that I kinda know nothing about
and would like to explore. I have some ideas, but nothing has grabbed me yet.
Maybe in the new year I’ll head over to one of the big book stores and peruse
the entertainment section and see what band bio leaps out at me.
Look at this book cover. Take a long, close look at
it.
Now imagine you’re Hopper, age 12. Is this book cover not the awesomest thing
you’ve ever seen in your life??!!??!!
So back in those halcyon days of the late 70s, those
dark days of Jimmy Carter, the Iranian hostage crisis, Three Mile Island, what
better way to escape the televised miasma than to read dystopian fiction? Aye,
that is what I did. But mainly I did it because of that cool book cover.
False
Dawn is basically a tale of the zombie apocalypse without
the zombie. And Ms. Quinn keeps it all hidden, which I liked. We don’t know
what caused this particular apocalypse, the societal breakdown, though it has
to do somehow with chemicals. Animals have mutated. Foliage has mutated. And
human beings have mutated too, to varying, sometimes disgustingly graphic
degrees. Great fodder for the adolescent male brain. Our heroine, for example,
has membranes that cover her eyes during times of extreme stress. Our hero has
an arm cut off that regrows during the first third of the novel.
Thea and Evan, our aforementioned mutant heroes, are
trekking cross the harsh brutal landscape of what was once Midwest America, carefully
avoiding rabid wolves, lethal water spiders, cannibals, and Negan’s Saviors –
ah, the Pirates, I mean, ruthless gangs of thugs terrorizing those who want to
create better lives for themselves. Big secret revealed early on is that Evan
was once the leader of the Pirates, a Negan-gone-good, and he grows a fondness
for scarred loner Thea as they both make headway for a fabled town called Gold
Lake, a land of milk and honey where there’s no big bad chemicals.
I kid, but I dug it, both back then and now during a quick
re-read forty years later. Thought about lending it to Patch but there are a
couple of sexually delicate scenes which should have barred young me from
reading the book, but will bar her. Overall, though, a nice decent semi-science
fiction read.
That was the first word that popped into my mind when
I first saw this picture. If you can’t catch my drift, google the urban
dictionary definition of the word.
When did Time magazine become a joke? I remember, in
the 70s as a kid, eagerly waiting for the weekly issue to arrive in our family
mailbox, and I would read it cover to cover. Now, since at least 2000 I
suppose, everything is partisan. Newsweek’s gone under (or was going under,
last I heard and last I paid attention to it, a few years back), and Time has
surpassed partisanship and slid full force into goofy self-parody land.
Time’s Man of the Year was once a respectable
honorary. But when did that slide into irrelevancy? It was supposed to denote the
figure in the news who, for better or worse, influenced the world the greatest
in that year. In my lifetime Reagan graced the cover, as did Soviet dictators
Andropov and Gorbachev. Heck, even “the computer,” a silly but accurate choice
for 1982, represented not a man but a thing that influenced the world the
greatest that year. I think it must have been 1988, when the editors tried to
be cute again, and hailed “The Endangered Earth” as planet of the year that the
title became obsolete.
Oh well. Rest in Peace, Time Man of the Year. Join
such irrelevancies as the Nobel Peace Prize and the Academy Award for Best
Picture.
EDIT:
While speaking with my wife this morning about this post, she managed to sum it
up succinctly in a way which I wish I had: “Time’s Man of the Year is really
the Liberal Hero of the Year.” I heartily agreed, and added, “If the Time
editorial board had an ounce of intellectual honesty they’d have to have named
Trump – and I’m no fan of Trump – Man of the Year every year since 2015.” But as
both the Mrs. and me have pointed out, in our direct and indirect ways, that
old school definition of “Man of the Year” no longer exists, and hasn’t since
some point in the mid-80s.
I first became aware of John Lennon on December 9,
1980. He had been murdered the night before by a mentally ill man with a
handgun.
Now, I was peripherally aware of the Beatles, but only
peripherally. I was thirteen, and was more familiar with the band ELO, who were
played incessantly at my house. At the time I was busy devouring science fiction
paperbacks and banging away on my monstrous metallic typewriter, composing bad
stories on a daily basis. As far as the Beatles went, I think I knew “I Want to
Hold Your Hand” from a transistor radio and I vaguely recall Paul McCartney’s vocals
over a car 8-track, possibly while driving with one of my uncles.
Anyway, at school the next morning, December 9, we all
sat silent in a weird, unfamiliar and uncomfortable atmosphere of my music
class. The teacher, whose name I forget, was an eccentric middle-aged bearded
hippie. Along all three walls, just below the ceiling, were large poster
pictures of classical composers. These portraits fascinated me, more so than
anything the teacher might have said. (Just writing that, I realize how
approving John Lennon would be of such a statement.) In this class, which only
ran one quarterly marking period, we practiced playing the instrument of our
choosing – the acoustic guitar, the recorder, or the glockenspiel. I chose the
guitar, and earned an A for the class performing John Denver’s “Take Me Home
Country Roads” for the final exam.
But I digress. That drab Tuesday morning my teacher’s
eyes were bloodshot, either from crying or staying up the night before watching
the news or from self-medicating. Perhaps all three. He sat at his desk, a
small lump, leaning down in his chair, mumbling for the next forty-five minutes
about who the Beatles were and what they meant to him and, by extension, the world.
He got up twice to play two songs for us. The first
was “I Saw Her Standing There,” the opening track on the band’s 1963 debut
album. We listened to it mostly in silence, twittering and chuckling nervously
with sidelong glances at the “OOOOOOH!”s prior to every sung “I saw her
standing there.” Then the teacher played “Lucy in the Sky with Diamonds,” and,
to be quite honest, I was never creeped out more by sung lyrics in a song
before. That creepy feeling has always stuck with me, and I still get the same
reaction whenever I hear cellophane
flowers of yellow and green …
That night, or maybe it was the following weekend, all
the TV news was talking about Lennon, his murder, and his legacy. My uncle and
his girlfriend came over, and we overhead the announcers debating whether “Imagine”
should become the new national anthem. They played it and my uncle stood up,
hand over heart, for the duration of the song, then said, “Nah. Too long.”
Thirty-nine years later, on a whim, I checked out a
biography on the Beatles. Over the summer I borrowed Revolver, Sgt. Pepper, Magical Mystery Tour, and The White Album, and enjoyed my time
driving around, to work, to pick up the girls, to run errands, immensely. I
also started listening to solo Lennon, particularly “Mind Games”, a tune I
hated in my band days but which has grown on me, along with “#9 Dream” and
stuff off Double Fantasy.
Can’t rightly explain my fascination with the man. As
I tried to state before in a review of that Beatles book I read earlier this
year, I don’t find him a sympathetic character. Actually feel sorry for him.
Tremendously talented, yet still very childlike. A true wounded artist in a cliché-defying
way. Or maybe I find him sympathetic, but unlikeable. But there is something
there admirable. Or is there? I dunno … Perhaps I am overthinking something I
should simply enjoy.
I wanted to post a Lennon song here, whether solo or
with the Beatles, something that would kinda encapsulate what I’m trying to say
very poorly, and I find I can’t do it. So much good stuff, so much remarkable
stuff I only came across this past summer. I thought about “She Said She Said,”
“Tomorrow Never Knows” (the song which changed the course of music more than
any other, save, possibly, “Hound Dog” or “Jailhouse Rock”), “Mind Games,” “Beautiful
Boy.” Couldn’t decide, so I thought to go a bit more obscure.
In preparation for The
White Album, the band recorded demo takes of two dozen songs at George Harrison’s
house in Esher; these became known as the Esher Demos. The following tune, “Cry
Baby Cry,” is one such demo that features a descending chromatic riff I note in
a lot of Lennon songs, as well as the F chord he liked to include. Plus, how
many songs have you heard that could – just possibly – be about ghosts in a
castle that don’t know they’re dead?
So I first found this thing on my shelf the morning of
December 1, and immediately an odd feeling halfway between dread and annoyance spread
through me. Every morning I see it perched in a different spot in my living
room, glaring down at me, accusing me, judging me, scolding me.
I’ve had it. I just can’t seem to get rid of the damn
thing. I’ve tried running the AC on with the windows open. I tried jacking the
thermostat up to 90. I leave all the lights on in the house, even during the
day while I’m at work. Can’t tell you how many plastic straws I’ve thrown her
way, then thrown out those open windows along with the air conditioned air.
[Image taken from the absolute funniest site on the web,
The Babylon Bee, in an article “New Greta on the Shelf Doll Will Track Your
Climate Sins”.]