Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Tuesday, July 23, 2024

The Ways

 

“To every man there openeth

A way and ways and a way

The high soul treads the high way,

And the low soul gropes the low,

And in between on the misty flats,

The rest drift to and fro.”

 

– John Oxenham

 

 

“John Oxenham” was the pen name of Englishman William Arthur Dunkerly (1852-1941). Among Dunkerly’s works of prose, poetry, and journalism, is the novel A Mystery of the Underground (1897), which has the distinction of being one of the first stories to feature a serial killer. The novel was so realistic that Londoners refused to ride the rails on Tuesdays, the day when the murders would regularly happen.





Tuesday, May 7, 2024

Hyphenated Consonance

 


The Starlight Night

by Gerard Manley Hopkins

 

Look at the stars! look, look up at the skies!

   O look, at all the fire-folk sitting in the air!

   The bright boroughs, the circle-citadels there!

Down in dim woods the diamond delves! the elves’-eyes!

The grey lawns cold where gold, where quickgold lies!

   Wind-beat whitebeam! airy abeles set on a flare!

   Flake-doves sent floating forth at a farmyard scare!

Ah well! it is all a purchase, all is a prize.

 

Buy then! bid then! – What? – Prayer, patience, alms, vows.

Look, look: a May-mess, like on orchard boughs!

   Look! March-bloom, like on mealed-with-yellow sallows!

These are indeed the barn; withindoors house

The shocks. This piece-bright paling shuts the spouse

   Christ home, Christ and his mother and all his hallows.

 


*******

 

Nice.


One evening this past weekend I thumbed through an old copy of Astronomy, and a line or two from some classic poem was quoted within without attribution. I did some quick googling and came up with this poem of Hopkin’s. It is not the poem that the Astronomy author mentioned, though. That poem is still as yet unknown to me (but not for long).


Normally I am not a fan of Gerard Manley Hopkins. It’s not quite due to the prolix alliteration (actually, consonance, the repetition of consonant sounds within a sentence or line). I am quite a fan of alliteration, if only for a shlocky see-what-I-can-do shallow boastfulness when I write. With Hopkins I think it’s all the hyphenated consonance that irks me. Indeed, were I a lad a century ago passing by his desk as he labored over a poem, tongue jutting out the side of his mouth, I don’t think I could resist the temptation to “accidentally” bump his arm once his quill touched parchment. And I’d circle round and do it again and again, each time “accidentally.” All because of the cutesy hyphenated consonance.


But I dunno, there was something about this poem. Perhaps it was the lingering sentimentality I felt with the still-open Astronomy magazine still within arm’s reach. I walked out the backdoor, glancing up at the skies, the open bowl of the universe above me, noting the winter stars slowly receding towards the western horizon. The poem did evoke some neat moments of nostalgia in me. Observing the stars in the woods on cold February nights. Lake George, New York. Seeing constellation patterns and asterisms for the first time. Learning the names and locations of stars.


Yes, this poem will get a pass from me. Gerard, I won’t bully you for this.


In fact, I might pick up a book of his works next time at one of the local libraries.


Tuesday, November 30, 2021

Napoleon by de la Mare

 


“What is the world, O soldiers?


It is I:


I, this incessant snow,


This northern sky;


Soldiers, this solitude


Through which we go


Is I.”

 


– by Walter de la Mare (1873-1956)

 

N.B. I am rethinking my opinion of Bonaparte after reading Barbero’s The Battle and, naturally, Cornwall’s Sharpe’s Waterloo.

 


Thursday, July 25, 2019

Soar



Patch, not quite eleven, is an aspiring writer, but she also has a poet’s soul. A few weeks back we had a power outage one night, and she cranked out four poems. Some time before that, I came across a half-dozen or so others scratched on loose leaf paper. She may have more in notebooks not privy to her father’s (proud) eyes. When I first heard this poem on that candle-fueled night (and it was a hot one in early July), I figured this would be a good way to personally conclude my Apollo scribblings on this blog.

However, once she allowed me to peruse the text, I realized it was not so much about rockets launching astronauts as it was rockets launching nuclear payloads. Bombs. Oh well. Seems someone must have read a little bit about the 50s paranoia of bombs raining down overhead. But, ironically, isn’t that what started this whole Space Race thing, way way back in October of 1957, a race that culminated in twelve men walking the lunar surface twelve years later?


“Soar”

   by Patch


Rockets fly on
Soaring up till dawn

Those glassy eyes stare through the cracks
Seeing the rockets fly on makes them relax

Their terror of the bombs disappear
The bombs’ sorrow echoes still leer

But the rockets fly on
Soaring up till dawn

They know they’re okay
But in whispers they still say

Independence is theirs
The bombs were their cares

The bombs are gone
Their ugly, silent song

Rocket fly on
Soaring up till dawn


(A long, long way from “Creepy Bat” …)

Friday, May 24, 2019

Morning Song of Senlin




IT is morning, Senlin says, and in the morning          
When the light drips through the shutters like the dew,        
I arise, I face the sunrise,       
And do the things my fathers learned to do. 
Stars in the purple dusk above the rooftops           
Pale in a saffron mist and seem to die,          
And I myself on swiftly tilting planet           
Stand before a glass and tie my tie.   
 
Vine-leaves tap my window, 
Dew-drops sing to the garden stones,  
The robin chirps in the chinaberry tree           
Repeating three clear tones.   
 
It is morning. I stand by the mirror    
And tie my tie once more.     
While waves far off in a pale rose twilight      
Crash on a white sand shore. 
I stand by a mirror and comb my hair:           
How small and white my face!—      
The green earth tilts through a sphere of air  
And bathes in a flame of space.           
There are houses hanging above the stars      
And stars hung under a sea... 
And a sun far off in a shell of silence
Dapples my walls for me....   
 
It is morning, Senlin says, and in the morning             
Should I not pause in the light to remember God?    
Upright and firm I stand on a star unstable,  
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror           
To him alone, for him I will comb my hair.     
Accept these humble offerings, clouds of silence!    
I will think of you as I descend the stair.      
 
Vine-leaves tap my window, 
The snail-track shines on the stones;  
Dew-drops flash from the chinaberry tree       
Repeating two clear tones.     
 
It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.         
The walls are about me still as in the evening,           
I am the same, and the same name still I keep.            
The earth revolves with me, yet makes no motion,    
The stars pale silently in a coral sky.  
In a whistling void I stand before my mirror,
Unconcerned, and tie my tie. 
 
There are horses neighing on far-off hills        
Tossing their long white manes,         
And mountains flash in the rose-white dusk,
Their shoulders black with rains....    
It is morning, I stand by the mirror    
And surprise my soul once more;         
The blue air rushes above my ceiling,
There are suns beneath my floor....    
 
...It is morning, Senlin says, I ascend from darkness 
And depart on the winds of space for I know not where;    
My watch is wound, a key is in my pocket,    
And the sky is darkened as I descend the stair.        
There are shadows across the windows, clouds in heaven,   
And a god among the stars; and I will go     
Thinking of him as I might think of daybreak           
And humming a tune I know....           
 
Vine-leaves tap at the window,         
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree           
Repeating three dear tones.   


Nice musical musings from American poet Conrad Aiken (1889-1973), first come to my attention during the day’s lunch break.

Friday, June 15, 2018

Heraclitean



Alles Glück auf Erden,
Freunde, gibt der Kampf!
Ja, um Freund zu warden,
Braucht es Pulverdampf!
Eins in Drein sind Freunde:
Brüder vor der Not,
Gleiche vor dem Feinde,
Freie  vor dem Tod!

– “Heraclitean,” poem #41 from the prologue to Nietzsche’s Joyful Science, c. 1882


Only fighting yields
Happiness on earth,
And on battlefields
Friendship has its birth.
One in three are friends:
Brothers in distress,
Equals, facing foes,
Free – when facing death!

– “Heraclitean,” English translation of Nietzsche’s poem by Walter Kaufmann


I am no expert on poetry, nor the philosophy of Nietzsche, except of the armchair Monday-morning quarterback sort. But I like this poem when I think about it on a more abstract level, not the obvious and literal comrade-in-arms in the trenches facing bayonets. It applies to any man facing any challenge, and that, along with what I understand of the German’s thought, appeals immensely to me.

Friday, May 11, 2018

Alone and Drinking Under the Moon


Amongst the flowers I
am alone with my pot of wine
drinking by myself; then lifting
my cup I asked the moon
to drink with me, its reflection
and mine in the wine cup, just
the three of us; then I sigh
for the moon cannot drink,
and my shadow goes emptily along
with me never saying a word;
with no other friends here, I can
but use these two for company;
in the time of happiness, I
too must be happy with all
around me; I sit and sing
and it is as if the moon
accompanies me; then if I
dance, it is my shadow that
dances along with me; while
still not drunk, I am glad
to make the moon and my shadow
into friends, but then when
I have drunk too much, we
all part; yet these are
friends I can always count on
these who have no emotion
whatsoever; I hope that one day
we three will meet again,
deep in the Milky Way.

- Li Po (Li Bai, A.D. 701-762), translated by Rewi Alley






Wednesday, February 28, 2018

Tears of Saint Peter



“In Peter’s heart, as daylight at length came,
The anguish grew, and he flushed deep for shame,
Though no man was there to behold him sin,
For now he recognized his own offence.
A noble heart no witness ever needs
To shame him, but is cowed by his own deeds,
Though only Heaven and earth watch in silence.”


-        - from “Tears of Saint Peter,” (1587), by Luigi Tansillo, quoted in Part I Chapter XXXIII of Cervantes’s Don Quixote

Thursday, October 12, 2017

Prophetic?


Came across the 1867 poem “Dover Beach” by Matthew Arnold a week or so ago and still can not get the third stanza out of my mind:


The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.


To me this encapsulates perfectly – oh too perfectly – that dim and obscure feeling that descends upon me when I read of what’s happening to the Catholic faith post-Vatican II, the changes currently test-driven by Francis and his cohorts, and the steroidal tsunami of transformation that’s molding our world like a brutal calloused sculptor that serves no master but itself.

Or am I being too histrionic?


now I only hear

Its melancholy, long, withdrawing roar,

Retreating …



Monday, May 8, 2017

The Night Sky



O mystic, delicate chalice of the world,
Jeweled with pallid moons! Exquisite arch
Of the quiet sky; carven ’twixt dusk and dusk
Of smoky Indian jade, a summer night,
By God the Artist, God the deaf and blind,
Who fashions masterpiece on masterpiece,
And through the Window of the Universe
Hurls them forever and forever …
Pale cup, wherein all tears and mirth of men
Distil, that men may drink of thee and live …
Thrice-precious Grail, that holds the Wine of Earth!
  
   - John Reed




Note: To the best of my knowledge the John Reed who wrote this poem is the John Reed who was a devoted communist in the early days of the Russian revolution. He was the subject of the Warren Beatty 1981 movie Reds and is one of only three Americans to be buried in the Kremlin. I completely disavow any kinship with the man’s insane devotion to an insane ideology. But I do indeed like the poem, like the holy references, and find it odd and disconcerting that it came from the pen of a man who supported future butchers like Lenin and Stalin.

Saturday, May 6, 2017

The Kilmer House



So Little One’s literature teacher (she’s in seventh grade) has them working on poetry. In particular, the poetry of Joyce Kilmer. For the longest time, I am ashamed to admit, I thought Kilmer was a woman. For eighteen months I lived on the Kilmer campus at Rutgers and never bothered to research the poet. Later I found out he was a man. And even later (this morning, in fact), I discovered he was killed in the Great War, by a sniper’s bullet tearing apart that creative mind of his.

I have never read any of his poems. This morning, I did, and I like this one in particular:


“The Thorn”

The garden of God is a radiant place
And every flower has a holy face.
Our Lady like a lily bends above the cloudy sod,
But Saint Michael is the thorn on the rose-bush of God.

David is the song upon God’s lips,
And Our Lady is the goblet that He sips,
And Gabriel’s the breath of His command;
But Saint Michael is the sword in God’s right hand.

The Ivory Tower is fair to see,
And may her walls encompass me!
But when the Devil comes with the thunder of his might,
Saint Michael, show me how to fight!


Turns out Joyce Kilmer is a local celebrity. His house is actually two towns away from where I live. My daughter’s lit teacher gave his class an extra credit assignment: whoever finds the house and takes a picture of it will get a few additional points on the next test.

So, we punched the address into her cell phone and tracked it down. Here’s Little One, posing in front of the house where Joyce Kilmer lived and wrote in from 1912 to around 1916 or 17 (when he entered the service and was shipped out to France).





Note: Kilmer was born Albert Joyce Kilmer. He converted from Episcopalianism to Catholicism in 1913.

Sunday, January 15, 2017

Tread Softly ...



Had I the heaven’s embroidered cloths,
Inwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and the light and the half light,
I would spread the cloths under your feet;
But being poor have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

- Yeats

Thursday, July 28, 2016

Cargoes


Quinquireme of Nineveh from distant Ophir,
Rowing home to haven in sunny Palestine,
With a cargo of ivory,
And apes and peacocks,
Sandalwood, cedarwood, and sweet white wine.

Stately Spanish galleon coming from the Isthmus,
Dipping through the Tropics by the palm-green shores,
With a cargo of diamonds,
Emeralds, amethysts,
Topazes, and cinnamon, and gold moidores.

Dirty British coaster with a salt-caked smoke stack,
Butting through the Channel in the mad March days,
With a cargo of Tyne coal,
Road-rails, pig-lead,
Firewood, iron-ware, and cheap tin trays.

- "Cargoes," by English poet John Masefield, 1902

 


 
 
 

Thursday, April 7, 2016

The Mystic Cipher



I doubt it not – then more, far more;
In each old song bequeath’d – in every noble page or text,
(Different – something, unreck’d before –
   some unsuspected author,)
In every object, mountain, tree, and star – in every birth and life,
As part of each – evolv’d from each – meaning, behind the ostent,
A mystic cipher waits infolded.


– Walt Whitman, “Shakspere-Bacon’s Cipher”, 1891


Saturday, October 17, 2015

Creepy Bat


A poem for Halloween from my youngest ...



Creepy Bat


Creepy Bat


You watch me


You stalk me at night


Creepy Bat


Creepy Bat


At night …



– Patch, age 7






Wednesday, October 7, 2015

Lepanto


Chesterton’s ode to the last Christian crusade, the Battle of Lepanto in 1571, which kept Europe Christian. 

Slightly long, but worth a close reading …


White founts falling in the courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard,
It curls the blood-red crescent, the crescent of his lips,
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross,
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.

Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young,
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain—hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.

Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri’s knees,
His turban that is woven of the sunset and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees,
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.

They rush in red and purple from the red clouds of the morn,
From temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be;
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,—
They gather and they wonder and give worship to Mahound.
And he saith, “Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done,
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces—four hundred years ago:
It is he that saith not ‘Kismet’; it is he that knows not Fate ;
It is Richard, it is Raymond, it is Godfrey in the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth.”
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.)
Sudden and still—hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.

St. Michael’s on his mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.)
Where the grey seas glitter and the sharp tides shift
And the sea folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
      Domino gloria!
Don John of Austria
Is shouting to the ships.

King Philip’s in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.)
The walls are hung with velvet that, is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial, and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John’s hunting, and his hounds have bayed—
Booms away past Italy the rumour of his raid
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.

The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.)
The hidden room in man’s house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plumèd lions on the galleys of St. Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings’ horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign—
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate’s sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!

Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight forever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade....
(But Don John of Austria rides home from the Crusade.)