© 1973 by Arthur C. Clarke
[minor spoilers …]
It’s said that Arthur C. Clarke is the “Big Idea” man
of SF. I dunno if that’s entirely true (all good SF is “Big Idea”), but it’s
certainly easy to come to that conclusion. I mean, consider 2001: A Space Odyssey, a bit before my
time but possibly the first non-Asimov SF I read as a kid. Mankind unearths the
monoliths left behind by some alien superintelligence. Are they to guide us? If
so, to what? Consider Childhood’s End,
reviewed here. Who exactly are these horned and winged Overlords? And what
exactly is the next evolutionary leap human consciousness is leaping and
bounding into at novel’s end?
Then, Rendezvous
with Rama. A massive … probe, I guess … from an alien civilization enters
the Solar System. Its origin is unknown. Its destination is unknown. Its intent
is unknown. In fact, all three are unknowable until and unless contact can be
made. A team of astronauts is dispatched to dock with it, find some way in, and
see what’s inside. They do, and what they find is, and this seems to be the
best pair of words I can come up with, what they find is blandly outstanding.
That’s not to say it’s a bad novel. Far from it. It’s
one of the best one’s I’ve (re)read in a long time. It’s better than Childhood’s End. The “bland” remark is more
a comment on Clarke the storyteller, from my experience. When it’s said that
Clarke is a Big Idea man, I agree wholeheartedly. He just doesn’t do little
things like characterization, or dialogue, or plot, or suspense. But you’re not
reading Rendezvous with Rama for the
characters or the manufactured suspense. You’re reading it for the Big Idea. And
the Big Idea is a biggie all right: Rama itself.
In the year 2130, a strange comet-like object is
discovered streaking into the Solar System. Initial readings indicate it’s not
a comet, but what is it? Neat theories are thrown around (such as a renegade
neutron star), but eventually it’s determined that Rama (so named because we’re
up to the Hindu pantheon in naming astronomical bodies at this time) is a
massive, artificial object. A cylinder some 18 miles long and 6 miles in
diameter, slowly rotating with no visible engines or markings on the outside.
A deep space survey team is sent to meet it and find a
way in. Rama’s air locks prove easily defeated and our team of intrepid
explorers enter. Here is where the novel shines, and man do I mean it shines.
Imagine what that massive interior must look like. If my rusty calculations are
correct, that’s something like 340 square miles to explore. And they only have
two weeks before solar heat makes life on Rama, er, inefficacious. Imagine the
physics of it. Rama rotates with enough speed to generate a half-gee on the “plains”
– the interior surface of the world – but the entry hatches are at the center
of the hub, zero gee. Three long staircases descend three miles to the “plains.”
And there’s more.
A sea of frozen liquid bisects the cavernous interior.
Picture a band of water before you, going up the sides of curving walls, and
eventually six miles over your head. As Rama approaches the Sun, it’s heated
up, which leads to all sorts of crazy happenings. Artificial lights turn it
from a frozen ancient Egyptian tomb into a hurricane-plague tropic. Various “cities”
– groups of what appear to be buildings with no obvious points of entrance –
dot the plains and are named “New York,” “Paris”, and “London.” The team
methodically begins its exploration of these strange places, methodically
encountering and overcoming obstacles mainly through the application of
practical physics in an impractical setting.
Soon Rama comes to life. “Biots,” biological entities
built from the stew of the heated Cylindrical Sea, dot the landscape. Several species
are noted, some fearsome (crablike things the size of a car, three-legged “spiders”
with three eyes each) but to the relief of the exploration party seem to have
little interest in humanity. They perform various maintenance – ? – duties in
Rama. A young engineer comes up with a
bright idea to traverse the Sea, nearly getting himself killed exploring the
southern hemisphere, and is rewarded by finding a single blue flower poking up
in some Raman field of unknown purpose.
Clarke intersperses this mission of discovery with
meetings of various planetary councils. I found these chapters unenlightening,
adding little to the novel except for that bit of manufactured drama. Mercury,
apparently fearing Rama will park itself in close orbit around the Sun,
launches a nuclear missile at the alien probe, a crisis which our team blandly
overcomes.
Perhaps I’m being a bit too harsh on the master. I did
grow fond of the crew of intrepid spacemen, especially the captain, Norton.
Clarke humanizes him a bit by telling us of Norton’s fascination with explorer
Captain James Cook, a quirk that resurfaces once or twice in the course of the
novel. I really dug the final chapters, where Rama zips around the sun, draws
some energy from the photosphere, warps space (an effect interestingly felt by
the retreating Earthmen), altering course for the Large Magellanic Clouds. And I
was okay with Clarke’s main theme, the insignificance of Man in the Universe,
as all this transpired without a single note of acknowledgement from the Ramans
that we exist.
Best of all, the novel has one of the best final lines
in the history of science fiction.
I first read Rendezvous
with Rama about twenty years ago after a loooooong spell of not reading
anything. It was an excellent choice to get back into SF. Clarke wrote a sequel
or two after, and I remember reading the second one and liking it even more
than the original. May have to keep an eye out for that one. All things
considered, a worthy read about one really Big Idea.
Grade: A-minus
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